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Venice Cinema Palace, the main venue on the Lido island
|Awards||Golden Lion, Silver Lion|
|No. of films||100 in 2015|
The Venice Film Festival or Venice International Film Festival (Italian: Mostra Internazionale d'Arte Cinematografica della Biennale di Venezia, "International Exhibition of Cinematographic Art of the Venice Biennale") is the oldest film festival in the world and one of the "Big Three" film festivals, alongside the Cannes Film Festival and Berlin International Film Festival.
Established in Venice, Italy, in 1932, the film festival is part of the Venice Biennale, which was founded by the Venetian City Council in 1895. Today, the Biennale includes a range of separate events including: the International Art Exhibition; the International Festival of Contemporary Music; the International Theatre Festival; the International Architecture Exhibition; the International Festival of Contemporary Dance; the International Kids' Carnival; and the annual Venice Film Festival, which is arguably the best-known of all the events.
The film festival has since taken place in late August or early September on the island of the Lido, Venice, Italy. Screenings take place in the historic Palazzo del Cinema on the Lungomare Marconi and in other venues nearby. Since its inception the Venice Film Festival has grown into one of the most prestigious film festivals in the world.
The first edition of the Venice Film Festival was carried out from the 6 to the 21 of August in 1932.
The festival began with an idea of the president of the Venice Biennale Count Giuseppe Volpi di Misurata and Luciano De Feo, who was the very first director-selector. With good reason, the festival was considered the first international event of its type, receiving strong support from authorities. This first edition was held on the terrace of the Hotel Excelsior on the Venice Lido, and at that stage it was not a competitive event. The very first film to be shown in the history of the Festival was Rouben Mamoulian's Dr. Jekyll and Mr. Hyde, that was screened at 9:15 p.m. on 6 August 1932.
The second edition was held two years later, from 1 to 20 of August in 1934. For the first time it included a competition. At least 19 countries took part with over 300 accredited journalists. The "Mussolini Cup" was introduced for best foreign film and best Italian film; however there was no actual jury. Instead, the awards were assigned by the President of the Biennale, after listening to the opinions of both experts and audiences, and in accordance with the "National Institute for Educational Cinema". Other awards were the "Great Gold Medals of the National Fascist Association for Entertainment" to best actor and actress. The prize for best foreign film went to Robert J. Flaherty's Man of Aran and was a confirmation of the taste of the time for auteur documentaries.
Starting in 1935, the Festival became a yearly event under the direction of Ottavio Croze. The actors' award was renamed "Volpi Cup". In 1936 an international jury was nominated for the first time and in 1937 the new Cinema Palace, designed by the architect Luigi Quagliata, was inaugurated.
The 1940s represent one of the most difficult moments for the review.
The conclusion of the Second World War divides the decade in two. Before 1938 political pressures distorted and ruined the festival. With the advent of the conflict the situation degenerated to such a point that the editions of 1940, 1941 and 1942, subsequently are considered as if they did not happen because they were carried out in places far away from Lido. In addition, few countries participated and there was an absolute monopoly of institutions and directors that were members of the Rome-Berlin Axis. Nazi propaganda movie Heimkehr was presented in 1941 winning an award from the Italian Ministry for Culture.
The festival resumed full speed in 1946, after the war. For the first time, the 1946 edition was held in the month of September, in accordance to an agreement with the newly-born Cannes Film Festival, which had just held its first review in the spring of that year. With the return of normalcy, Venice once again became a great icon of the film world.
In 1947 the festival was held at the Doge's Palace, a most magnificent backdrop for hosting a record 90 thousand participants.The 1947 festival is widely considered one of the most successful editions in the history of the festival.
For the next twenty years the festival continued its development and expansion in accordance with the artistic plan set in motion after the war.
In 1963 the winds of change blow strongly during Luigi Chiarini’s directorship of the festival. During the years of his presidency, Chiarini aspired to renew the spirit and the structures of the festival, pushing for a total reorganization of the entire system. For six years the festival followed a consistent path, according to the rigid criteria put in place for the selection of works in competition, and took a firm stand against the political pressures and interference of more and more demanding movie studios, preferring the artistic quality of films to the growing commercialization of the film industry.
The social and political unrest of 1968 had strong repercussions on the Venice Bienniale. From 1969 to 1979 no prizes were awarded and the festival returned to the non-competitiveness of the first edition. In 1973, 1977 and 1978, the festival was not even held. The Golden Lion didn't make its return until 1980.
|1983-1987||Gian Luigi Rondi|
|2002-2004||Moritz de Hadeln|
The long-awaited rebirth came in 1979, thanks to the new director Carlo Lizzani, who decided to restore the image and value the festival had lost over the last decade. The 1979 edition laid the foundation for the restoration of international prestige. In an attempt to create a more modern image of the festival, the neo-director created a committee of experts to assist in selecting the works and to increase the diversity of submissions to the festival.
The President of the Venice Biennale represents the Festival in front of its financial partner, the public authorities and the media, is chosen by the Italian Ministry of Cultural Heritage. Paolo Baratta has been the President of the Venice Biennale since 2008.
The Director is responsible for the coordination of the events and is chosen by the President of the Venice Biennale and its delegates.
The Film Festival's current awards are:
This section is open to all "custom-format" works, with a wider view towards new trends in the expressive languages that converge in film.
Starting from the 67th edition of the festival, four awards of the Orizzonti section have been established:
Jaeger-LeCoultre Glory to the Filmmaker Award, organized in collaboration with Jaeger-LeCoultre since 2006. It is dedicated to personalities who have made a significant contribution to contemporary cinema.
This is the list of winners:
|2009||Sylvester Stallone||United States|
|2011||Al Pacino||United States|
|2012||Spike Lee||United States|
|2014||John Ford||United States|
|2015||Brian De Palma||United States|
|2017||Stephen Frears||United Kingdom|
This is the list of winners - from 1948 to 2001 called OCIC Prizes and from 2002 to today called SIGNIS Prizes. In this list the commendations are not mentioned.
|1948||The Fugitive||United States||John Ford|
|1949||Cielo sulla palude||Italy||Augusto Genina|
|1950||Dieu a besoin des hommes||France||Jean Delannoy|
|1951||Journal d'un curé de campagne||France||Robert Bresson|
|1952||The Quiet Man||United States||John Ford|
|1953||La Guerra de Dios||Spain||Rafael Gil|
|1954||On the Waterfront||United States||Elia Kazan|
|1955||Amici per la pelle||Italy||Franco Rossi|
|1956||Calabuch||United States||Luis Garcia Berlanga|
|1957||A Hatful of Rain||United States||Fred Zinnemann|
|1958||no prize given||no prize given||no prize given|
|1959||Il Generale della Rovere||Italy||Roberto Rossellini|
|1960||Le Voyage en Ballon||France||Albert Lamorisse|
|1961||Il Posto||Italy||Ermanno Olmi|
|1962||Term of Trial||United Kingdom||Peter Glenville|
|1963||Hud||United States||Martin Ritt|
|1964||Il Vangelo secondo Matteo||Italy||Pier Paolo Pasolini|
|1966||Au hasard Balthazar||France||Robert Bresson|
|1967||O Salto||France||Christian de Chalonge|
|1968||Teorema||Italy||Pier Paolo Pasolini|
|1969||no prize given||no prize given||no prize given|
|1970||no prize given||no prize given||no prize give|
|1971||no prize given||no prize given||no prize given|
|1972||Die Verweigerung||Austria||Axel Corti|
|1973||no prize given||no prize given||no prize given|
|1974||no prize given||no prize given||no prize given|
|1975||no prize given||no prize given||no prize given|
|1976||no prize given||no prize given||no prize given|
|1977||no prize given||no prize given||no prize given|
|1978||no prize given||no prize given||no prize given|
|1979||no prize given||no prize given||no prize given|
|1980||Voltati Eugenio||Italy||Luigi Comencini|
|1981||Die Bleiere Zeit||Germany||Margarethe von Trotta|
|1982||Die Funf letzte Tage||Germany||Percy Adlon|
|1983||Rue Cases Nègres||Martinique||Euzhan Palcy|
|1984||Les favoris de la lune||France||Otar Iosseliani|
|1985||Sans toit, ni loi||France||Agnes Varda|
|1986||Le Rayon vert||France||Eric Rohmer|
|1987||Au revoir les enfants||France||Louis Malle|
|1988||Topio Stin Omihli||Greece||Theo Angelopoulos|
|1989||Che Ora è?||Italy||Ettore Scola|
|1990||An Angel at my table||New Zealand||Jane Campion|
|1991||Urga||Soviet Union||Nikita Michalkov|
|1992||Orlando||United Kingdom||Sally Potter|
|1993||Trois couleurs : Bleu||Poland||Krzysztof Kieslowski|
|1995||La settima stanza||Italy||Marta Meszaros|
|1997||The Winter Guest||United Kingdom||Alan Rickman|
|1998||L'Albero delle pere||Italy||Francesca Archibugi|
|1999||Jesus'son||United States||Alison Maclean|
|2000||Liam||United Kingdom||Stephen Frears|
|2001||Raye Makhfi||Iran||Babak Payami|
|2003||O filme Falado||Portugal||Manoel De Oliveira|
|2004||Tout un hiver sans feu||Switzerland||Greg Zglinski|
|2005||Mary||United States||Abel Ferrara|
|2007||In the Valley of Ellah||Canada||Paul Haggis|
|2008||Hurt Locker||United States||Kathryn Bigelow|
|2010||Meek's Cutoff||United states||Kelly Reichardt|
|2012||To the Wonder||United States||Terrence Malick|
|2013||Philomena||United Kingdom||Stephen Frears|
|2014||Loin des hommes||France||David Oelhoffen|
|2017||La Villa / The House by the Sea||France||Robert Guédiguian|
|Year||English title||Original title||Director(s)|
|1934||Loyalty of Love||Teresa Confalonieri||Guido Brignone|
|1935||Casta Diva||Casta diva||Carmine Gallone|
|1936||The White Squadron||Lo squadrone bianco||Augusto Genina|
|1937||Scipio Africanus: The Defeat of Hannibal||Scipione l'africano||Carmine Gallone|
|1938||Luciano Serra, Pilot||Luciano Serra pilota||Goffredo Alessandrini|
|1939||Cardinal Messias||Abuna Messias||Goffredo Alessandrini|
|1940||The Siege of the Alcazar||L'assedio dell'Alcazar||Augusto Genina|
|1941||The Iron Crown||La corona di ferro||Alessandro Blasetti|
"Le Grandi Medaglie d’Oro dell’Associazione Nazionale Fascista dello Spettacolo" in Italian.
This was awarded to Best Actor and Best Actress. It was later replaced by the Volpi Cup for actors and actresses.
In the first edition of the festival in 1932, due to the lack of a jury and the awarding of official prizes, a list of acknowledgements was decided by popular vote, a tally determined by the number of people flocking to the films, and announced by the Organizing Committee. From this, the Best Director was declared – Russian Nikolai Ekk for the film Road to Life, while the film by René Clair À Nous la Liberté was voted Best Film.
|1935||King Vidor||The Wedding Night|
|1936||Jacques Feyder||Carnival in Flanders||La Kermesse Héroique|
|1937||Robert J. Flaherty and Zoltan Korda||Elephant Boy|
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